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Japan-CANCELLED

In Search of Emptiness & Wabi Sabi

Faculty: David Asari

SF campus: May 20 (mandatory), 10 a.m.-4 p.m.

Japan: May 27-June 11, 2020

SF campus: July 11, August 1, 10 a.m.-4 p.m. (optional with prior instructor approval, but work in progress must be emailed by these dates)
SF campus: August 15, 10 a.m.-4 p.m.
(mandatory)
SF Exhibition: September (to be determined)

Housing Check-in: Wednesday, May 27
Housing Checkout: Thursday, June 11


shoppers walking the night market on Dotonbori street in Osaka below a large 3D pink octopus sign

Open to undergraduate and graduate students

Most of us are familiar with the mainstream phenomena that has characterized Japanese pop culture for the past three decades. Manga, anime, and Kawaii [ the Cute craze ] are commonly known, but the true origins of Japanese aesthetics lie in the traditions of its two indigenous religions, Shintoism and Buddhism.

In Shintoism, it is believed that there are eight million gods or kami who reside in all natural things and that they are attracted to voids or emptiness. Wabi-Sabi is the quintessential Japanese aesthetic born out of the Zen Buddhist acceptance of transience and imperfection. These basic tenets can be seen in Japanese art, architecture, design and landscaping and in ritual practices such as the tea ceremony.

garden at Tofuku-ji Temple in Kyoto with white pebbles raked into a swirling pattern around the base of large, dark, irregularly shaped standing rocks

The quest of this course is to explore Japan’s present day capital, Tokyo, and its ancient capitals, Kyoto [ 794–1868 ], Kamakura [ de facto capital 1192–133 ] and Nara [ 710–784 ], and discover, record, and interpret examples of traditional Japanese aesthetic values as a way of understanding “the durability of Japanese artistic attitudes from historic times to the present.”

Students spend 10 days in Tokyo with a 5 day excursion to Kyoto. While the focus of the visit is an investigation of Japanese aesthetic values, students also explore the compelling surface of Tokyo and Kyoto. For the duration of their stay, the class lives in the question of what ties the old to the new.

The outcome of the course integrates narrative with visual images and may take any form including 2D, 3D, time-based media, or performance art. Final projects are evaluated on the quality of research, analysis, creative thinking, form giving, and craft. Collaboration is always an option.


It was rewarding to experience the extremes of a culture: from the intense and fast-paced urban street life to the utmost calming and spiritual sites, we were totally immersed. This type of full-body immersion is the only way to truly learn and come to know a place and a culture.

. . . though I've been to Japan many times we visited many venues I hadn't otherwise known how to access. The content is rich and overwhelming.

Being in Japan to actually see the examples instead of looking at pictures changed my life and I will never forget it.


A second generation Japanese American, David Asari has deep interest and roots in Asian culture and arts, as well as the Asian American experience –– particularly the WWII internment of the Japanese (which included his maternal grandfather). David has traveled to China, representing CCA at the Central Academy of Fine Arts, where he was also invited by renowned design Dean Min Wang to speak at their School of Design.

Learn more about David Asari »


A metal arch, adorned with  yellow flowers, vines and grapes, between tall buildings in the Harajuku shopping and entertainment district in Tokyo

Prerequisites

  • Undergraduate students: Successful completion of at least sophomore level by summer 2020 and instructor approval.
  • For Diversity Studies Studio credit: Drawing 1, 2D, 3D, 4D, Writing 1, Foundations in Critical Studies, Intro to the Arts and Intro to the Modern Arts. Junior standing
  • For Graphic Design Advanced Studio Elective credit: Graphic Design 3 (GRAPH-3000) and Typography 3 (GRAPH-3040)
  • For Upper-Division Interdisciplinary Studio credit: Drawing 1, 2D, 3D, 4D, Writing 1, Foundations in Critical Studies, Intro to the Arts and Intro to the Modern Arts. Junior Standing
  • Graduate students: Instructor approval

In addition, all students must be in good academic, conduct, and financial standing for the 2019–20 academic year. Students who are on probation in fall 2019 are not eligible to enroll in a 2020 summer study-abroad program.

Course Satisfies

  • For undergraduate students, this course satisfies a Graphic Design Advanced Studio Elective, an Upper-Division Interdisciplinary Studio, a Diversity Studies Studio, or a Studio Elective.
  • For graduate students, this course satisfies a Grad-wide Elective.
a tree whose multiple trunks are wrapped in red fabric with white polka dots

Program Fee
$5,300 + $50 summer registration fee.

Included in program fee:

  • 3 credits, housing, breakfast, final dinner, tea ceremony, garden and museum entrance fees, ground transportation in Japan, and travel/health insurance

Not included in program fee:

  • Airfare to and from Tokyo, ground transportation to and from airport in Japan, most meals

Please read the Summer Study Abroad Registration & Related Information in its entirety.


Questions

Please see Frequently Asked Questions.
All CCA summer study-abroad courses (including Exhibition Brooklyn and New Orleans) are coordinated by the Office of Special Programs.

Office of Special Programs
Oakland Campus, Irwin Student Center

Nina Sadek
Dean of Special Programs
510.594.3773

Carol Pitts
Operations Manager, Special Programs
510.594.3732