Wattis Opening Reception: "Justin Caguiat and Rafael Delacruz: The Tramp"
Wed, Jun 10 2026, 6PM - Sat, Nov 21 2026, 8PM
Additional event info:145 Hooper Street, San Francisco, California, 94107, United States View map
Organized by
The Wattis Institute for Contemporary Arts
Event description
Please join us to celebrate the opening of Justin Caguiat and Rafael Delacruz: The Tramp at the Wattis.
6–8 pm
Free and open to all
RSVP requested, but not required
[ Bay Area artists Justin Caguiat and Rafael Delacruz collaborate on an exhibition at the Wattis Institute titled The Tramp, bringing together newly commissioned film, installation, painting, and prints. At the heart of the exhibition is Caguiat and Delacruz’s film, which follows two characters Wesely (and his dog Chips) and Hiroko, as they wander the streets of Oakland and fields of Half Moon Bay dressed in baggy pants, snug jacket, and bowler hat. As a point of reference, the artists use Charlie Chaplin’s beloved character “The Tramp,” who appeared in the 1915 silent film with the same name, shot and produced by Essanay Studios in Fremont, 35 miles south of San Francisco. A mischievous vagrant living on the margins, the Tramp reappears in many of Chaplin's films and became the everyman’s hero. His playful antics helped him elude authority figures and trick the elite to survive in a modernizing society.
The artists have created an encompassing environment, inviting visitors to be surrounded by the inner workings of the film and its aftermath: deconstructed production sets are repurposed as exhibition furniture, while storyboards, behind-the-scenes photographs, costumes, prints, and ephemera are presented alongside the film. Softening the borders between media, the exhibition space becomes small vignettes and stages. Through humor and pathos, Caguiat and Delacruz underscore their kinship with Chaplin’s iconic character to reflect on the rampant demands of the art market on artists and critique the ever-changing social landscape of San Francisco, as tech companies continue to displace working-class communities.
The Tramp’s use of play is embodied in Caguiat and Delacruz’s own collaborative process. This exhibition marks their third collaborative exhibition. Paintings, drawings, plates (used for making prints) are passed back and forth between the artists. Together, they find a freedom to experiment and push the boundaries of their work to the margins. The exhibition is a view into their intricate web-like world that invites the visitor to reflect on the precarity and possibility of contemporary life.
This exhibition is Justin Caguiat’s and Rafael Delacruz’s first institutional exhibition on the West Coast. ]