CURPR-6020: Critical Theory/Art History 2
Course Description
Binding Agents: Toward an Aesthetic of the Colonial in Contemporary Art. This course builds off of Contemporary Art History Theory from Fall. Through selected readings and discussions, this seminar course includes critical analyses of artworks and exhibitions from late modernism to the present by artists and curators whose practices engage with questions of nation state, immigration, and colonialism. The course includes close studies of recent perennial exhibitions - such as Documenta 5 and Skulptur Projekte M nster 2017 - organized by institutions in the West with satellite or branch components in non-Western parts of the world. Overall, we'll seek to define an aesthetic of the colonial in contemporary artistic practices and exhibitions in order to consider the efficacy of critical positions within the context of globalized contemporary artand visual culture.
In subject:
Sections:
Spring 2023
Section Name | SF/Oak | Meeting Info | Instructor(s) |
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CURPR-6020-1: Global Art Worlds: Critical Theory/Art History 2
Deena Chalabi |
San Francisco |
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Spring 2022
Section Name | SF/Oak | Meeting Info | Instructor(s) |
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CURPR-6020-1: Critical Theory/Art History 2: Global Art Worlds
Deena Chalabi |
San Francisco |
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Spring 2021
Section Name | SF/Oak | Meeting Info | Instructor(s) |
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CURPR-6020-1: Global Art Worlds
James Voorhies |
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Spring 2020
Section Name | SF/Oak | Meeting Info | Instructor(s) |
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CURPR-6020-2: Global Art Worlds
James Voorhies |
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Spring 2019
Section Name | SF/Oak | Meeting Info | Instructor(s) |
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CURPR-602-01: Global Art Worlds
Christina Linden |
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