This thorough immersion in the nature of film language and form, moves from ontological media analysis through the historical development of cinematic form and the new perspectives and questions filmmakers address in the contemporary media landscape. Subjects are addressed through in-class studio exercises as well as lectures and screenings. Formal aspects of documentary, narrative, experimental and developing practices are explored in an integrated, holistic structure that emphasizes the moving image as living, evolving form.

In subject:

• Graduate Film

Graduate