This course is a specialized survey of art produced after World War II. The first half of the course, from 1945 to 1989, will focus on painting, sculpture, and photography produced mainly in the United States and Europe during the Cold War. In the second half of the course, from 1989 to the present, we will widen our view, both in terms of geography and media, to consider the expanding definition of recent art produced in Africa, Asia, Europe, and the Americas. To this end, we will investigate the meaning of postmodernism as a theory, an aesthetic notion, a politics, and a periodization. The objective of the course is to gain a sense of the major ideas, movements, and figures in contemporary art, as well as a better understanding of the social, cultural, and intellectual contexts in which these objects and ideas have emerged. Weekly readings will include critical and contextual materials such as artists' statements, newspaper and magazine articles, theoretical texts, and contemporary art historical commentary. HAAVC 3000 seminars continue developing students' visual analysis and research skills while providing students the opportunity for in-depth study of the visual/structural artifacts associated with a particular topic, region, or movement. Students will also engage with the relevant primary/secondary literature for the specific topic/theme. Courses will pay particular attention to the larger cultural, historical, and theoretical/ideological contexts in which the visual artifacts and structures under consideration were created.

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