This is a vertical elective combining students in their fourth and fifth year of the BArch program with students from the architecture graduate programs. The content of the elective options varies from year to year, and covers advanced topics of architectural history and theory.SECTION DESCRIPTIONThis seminar investigates architects who practice within a critique of standard practice models; an acute awareness of climate change; a suspicion of globalization; a disdain for the impacts of “flat world” labor, material supply and environmental impacts; a critical position in regard to environmental justice; and/or an active engagement with decolonization. These positions lead to an exploration of architectural form and production that is often profoundly local in material, construction craft and technique, capacity building and sustainability (environmental, social, economic and cultural). In the hands of the most talented of these architects, these attitudes lead to fresh, elegant and leading edge architectural works and ideas. These practices provide an insight into a shift of the international conversation around architecture away from Europe and North America (though not excluding them). Among practices we will engage with are Hua Li (China), Li Xiaodong (China), Amateur Architecture Studio (China), Rural Urban Framework (Hong Kong), Tropical Space (Vietnam), Studio Mumbai (India), Anapuma Kundoo (India), Rahul Mehrotra (India), Francis Keré (Burkina Faso), Gabineté de Arquitectura (Paraguay), Elemental (Chile), TALCA (Chile), Studio Gracia (Mexico), ORU (Mexico), COMUNAL (Mexico), Studio Indigenous (USA), and many others. 
In addition to delving into these architects, their theoretical positioning, and their work, the seminar will trace the historical and theoretical context of these practices, in particular Vernacularism, Regionalism, and what Colin St John Wilson called “The Other Tradition of Modernism”. In particular, we will be delving into the generation of architects that often spanned new independence movements within their own countries, seeking an architecture that broke with the colonizer and yielded both sophistication in the eyes of the world and identity for those at home. These help lay the groundwork for today’s architects and include among others: Lina Bo Bardi (Brasil), Luis Barragan (Mexico), Oscar Neimeyer (early work: Brasil), Pancho Geddes (Mozambique), Guilhem Eustache (Morroco), B.V. Doshi (India), Glenn Murcutt (Australia), and Andresen/O’Gorman (Australia).

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