Global Art Worlds: This course builds off of Contemporary Art History Theory from Fall. Through selected readings and discussions, the seminar course includes critical analyses of artworks and exhibitions from modernism to the present by artists and curators whose practices engage with questions of nation state, immigration, diasporic experience, colonialism, postcolonialism, and decolonial practices. The course includes close studies of perennial exhibitions In Europe in the early 21st century- such as Documenta 14, Skulptur Projekte M nster 2017, and the Venice Biennale in 2017. Overall, we'll seek to define an aesthetic of the post-colonial in contemporary artistic practices and exhibitions in order to consider the efficacy of critical positions within the context of globalized contemporary art and visual culture.

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